BigGameDamian
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Everyone says U-Haul, but I actually like Penske a lot better. Their trucks were nicer, and the cost increase was negligible for the 26-footers. Though neither one would allow you to pull a trailer big enough to tow an Avalanche, which wasn't cool.
I've heard that for bigger, non-Do-it-yourself moves, Atlas is decent. Not as much experience with them, though. And the cubes were a pain in the butt for the price.
Hope it helps.
/slypokerdog

[Jack is convinced he can steal an upcoming leading role, which has already been promised to Vincent Price]
Jack Benny: It looks as though I'm going to take your place in this picture.
Vincent Price: You're taking my place? Oh, that's ridiculous, old boy.
Jack Benny: Oh, no it isn't. You see, at rehearsal tonight you and I are both going to read the parts, and, uh, the best man will win.
Vincent Price: The, uh, *best* man?
Jack Benny: Yes.
Vincent Price: Mr. Benny, when two people are involved in a statement, the comparative is used. You don't say 'the best man will win', you say 'the better man will win'.
Jack Benny: Oh.
Vincent Price: But when three or more people are involved, then the word 'best' is the correct adjective.
Jack Benny: I see.
Vincent Price: So, before we compete for this part, Mr. Benny, it might be well if you first learned to speak English.
All my life I wanted to be a gangster.
Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums.
Christy, take off your robe.
Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism.
Sabrina, why don't you, uh, dance a little.
Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock.
Christy, get down on your knees so Sabrina can see your asshole.
Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds.
Sabrina, don't just stare at it, eat it.
But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.
