dviss1
Emcee Referee
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Awe, c'mon! You telling me you didn't enjoy the exploits of Ice Cold, Tone Def, and Taste-E-Taste?
I remember that shit!!Follow along with the video below to see how to install our site as a web app on your home screen.
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Awe, c'mon! You telling me you didn't enjoy the exploits of Ice Cold, Tone Def, and Taste-E-Taste?
I remember that shit!!"42" was a biopic too. It was also a baseball movie. "Ali" was a biopic, and a boxing movie. "The Express" was a biopic, and a football movie.
Most movies can be classified in multiple categories. Dude.
Awe, c'mon! You telling me you didn't enjoy the exploits of Ice Cold, Tone Def, and Taste-E-Taste?

CB4 fucking sucked. High School high is the worst hip hop movie ever.
I want a 2 Live Crew movie.
Krush Groove IMDB rating 6.6Class Act IMDB rating - 5.9
House Party IMDB rating - 6.2
Beat Street is the greatest Hip Hop movie of all time.
You gotta see Straight Outta Compton. It's far and above the best of all time.
SOC is a superior film to Beat Street no doubt, but what I mean is that Beat Street is a better film about "Hip Hop Culture" (break dancing, rapping, graffiti, DJ'ing) whereas SOC is a bio pic focused on the origins of one genre of rap music. N.W.A. definitely has a much sexier and more cinematic story to tell, that is for sure.How many rap groups/rappers affected the culture enough, or have a story to tell, to warrant a bio pic? 2 Live Crew isn't worthy, imo. They do meet the freaked white people out prerequisite though.
Of course it is, it set groundbreaking cultural waves in the realm of freedom of speech. In my opinion, they are much more culturally relevant than NWA.
Come on, don't you want to hear the story behind "Fuck Martinez!"?
Of course it is, it set groundbreaking cultural waves in the realm of freedom of speech. In my opinion, they are much more culturally relevant than NWA.
You truly don't know what you're talking about here. You're completely wrong about this. NWA was the groundbreaking group when it came to freedom of speech. They were arrested on stage for singing fuck the police. 2 Live Crew is nowhere near the level of NWA.
The 1989 Detroit Free Press story on the event said nine adults and nine juveniles were arrested on misdemeanor charges outside the concert. It described a heavy police presence around Joe Louis and quoted Executive Deputy Police Chief James Bannon as saying N.W.A began to perform “F--- tha Police” that night even though the promoters agreed it wouldn’t be included.
“The song was not finished and band representatives couldn’t be reached to explain why,” said the story. An Olympia Arenas executive was quoted as saying the concert “seemed like a lot of the rap shows we’ve done ... nothing extraordinary.”
A few months later, a 1989 story about N.W.A by London’s Guardian newspaper reported that the police stormed the stage to prevent N.W.A from doing the profanely titled song. “The band was escorted to their hotel by more officers, one of whom reportedly said, ‘We just wanted to show the kids that you can’t say ‘F--- the police’ in Detroit.’ ”
Early this month, the Daily Beast did a fact check of “Straight Outta Compton” and presented another wrinkle to the story, drawing from a memoir by former manager Jerry Heller (portrayed in the film by Paul Giamatti).
“The members of N.W.A. were hustled away from the arena by their security and whisked off to the safety of their hotel rooms — only to be arrested later when they sneaked down to the lobby to meet girls, according to Heller.”
Without a serious disagreement among them, six jurors took only about two hours Saturday to eat lunch and then find three members of the rap group 2 Live Crew not guilty of violating obscenity laws in a nightclub concert performance.
The verdict caused an eruption of cheers from fans of the Miami-based singers who packed the courtroom, and dealt a defeat to local Sheriff Nick Navarro's efforts to prosecute the group, whose best-selling album had been declared obscene by a federal court judge only four days before the concert.
"Our first and strongest impression was that this is political," said juror Helena Bailie, 76, a retired sociology professor. "They were thumbing their noses back (at Broward County and Navarro)."
At issue was a June 10 concert at a Hollywood, Fla., nightclub during which the group performed four songs from the album "As Nasty as They Wanna Be." The songs contain crude and graphic sexual language.
http://articles.latimes.com/1990-10-21/news/mn-4279_1_live-crew"Winning this particular case will do little to derail those trying to reap political benefit off the current anti-free-expression atmosphere," Berman said by telephone from his Washington office. "We're all glad 2 Live Crew won, but no one in the business has any illusions that the war is over. We have to keep fighting."
Carl Freed, executive director of the North American Concert Promoters Assn., applauded the verdict as a victory for free speech.
"The decision eases some of the tensions for promoters who produce live concerts by controversial acts," Freed said in a phone interview from New York. "Even if we, as concert promoters, do not approve of the material Mr. Campbell performs, we believe the government has no business deciding what adults can or cannot listen to."
Jack Thompson, the Coral Gables, Fla., anti-obscenity crusader who initiated the national campaign against 2 Live Crew's "As Nasty as They Wanna Be" album last January, blamed weak prosecution for the trial's outcome.
"This verdict in no way diminishes the fact that Luther Campbell is guilty of distributing more than 2 million obscene albums and deserves to go to jail," Thompson said Saturday night. "All this ruling does is send a message to law enforcement agencies around the country that they must secure better evidence and build stronger cases if they truly want to make a dent in stopping obscenity."
Leanne Katz, executive director of the New York-based National Coalition Against Censorship, cautioned against celebration.
See, when 2 Live Crew got arrested at a concert, it actually made the major news as there was actually a very public trial.
http://articles.latimes.com/1990-10-21/news/mn-4279_1_live-crew
that whole miami bass scene was pretty interesting in itself.
