One of the reasons for Billy Crystal's enduring appeal is his eternal boyishness. And nothing brings out the boy in a man like baseball. Put Crystal, a lifelong Yankees fan, at he helm of a movie not only about baseball, but also about one of his childhood heroes (and adulthood friends), Mickey Mantle, and you've got a winner. 61*, which chronicles the race between Mantle (Tom Jane) and Roger Maris (Barry Pepper) to break Babe Ruth's home-run record, is one of the best baseball movies out there.
Most people, even those who don't live and die by the diamond, know that Mantle was a party guy, a Colin Farrell, as it were. He liked his booze, his women, the luxuries his stardom afforded him, and he had the movie-star looks to accompany his lifestyle. Like Farrell, Mantle had enough talent to offset his notorious reputation.
Maris was Mantle's opposite: a Midwestern boy, shy, quiet and not at all prepared for the attention the New York press would heap upon him. He just wanted to play the game, but when you're as good as Maris was—especially if you're a Yankee—the press doesn't allow for that. And the fans only wanted Mickey. The film is as much about his struggle to survive in a town that loathed his introverted persona as it is about the home run race.
The "battle" to break the record was concocted entirely by the press; the teammates were both roommates and the best of friends, despite—or perhaps because of—their differing personalities. Yin and yang, though that kind of awareness didn't exist in 1961; one of the many interesting aspects of the film is to watch these two men, who developed an intimacy likely beyond that they shared with their wives, struggle to show each other affection and support.
In addition to being almost exact doppelgangers of the men they portray, Jane and Pepper both capture not only the essences of the men, but also the little details. Pepper, in particular, is downright spooky in how well he captures emotions internally and conveys them with little movements of his haunted eyes. Jane has the freedom to paint with broader emotional strokes, but his Mantle never becomes a caricature, and he never lets the audience forget that underneath Mantle's wild behavior was extreme physical and emotional pain. Each found in the other what he couldn't find in himself: Maris turned to Mantle for advice on dealing with the press, while Mantle learned a modicum of restraint living with Maris and lesser-known teammate Bob Cerv (Chris Bauer, Third Watch).
Arguably, Crystal loves the game of baseball more than anyone else in Hollywood—and that includes Kevin Costner. Growing up in New York, Crystal and his brother often accompanied their father to Yankees games; as a child, he even once got Mantle's autograph. In the 1970s, when Crystal first gained public attention on Soap, Dinah Shore—the Oprah of her time—booked Crystal and Mantle as guests. The 61* DVD features the entire segment; it's evident that Crystal was as star-struck then as he was as a little boy. Following that, the actor/comedian went on to become close friends with Mantle and his family. That intimacy gave him extra incentive, and ability, to create an accurate portrayal of Mantle and of the home run race. Much less was known about Maris behind closed doors, but Crystal relied heavily on the Maris family to learn what the player was like as a person, a husband, a father, a friend.
HBO movies don't often get the exposure they deserve, which is a shame, because many of them are far superior to their major-studio counterparts; 61* is a prime example. On DVD, the film is available to a wider audience, but it still isn't as known as, say, Field of Dreams.
As outstanding as the movie is, the DVD is even better. Finally, finally, we have a director's commentary that's not only great, it's outstanding. Anyone who aspires to directing, or to understanding a director's job, particularly with a limited budget and shooting schedule, must listen to this commentary. Because Crystal is also a talented performer, he keeps his monologue lively and entertaining. This is the least-expensive course in film direction you'll ever find. And how many commentaries continue throughout the credits, commenting on specific members of the crew?!
Aside from the principals—Jane had never so much as picked up a bat—the ballplayers, both on the Yankees and on the other teams, were either minor-league veterans, top university athletes, or otherwise well-acquainted with the game. The process of finding these guys is just one of many behind-the-scenes aspects touched upon in The Greatest Summer of My Life: The Making of 61*, a 50-minute all-access look at everything from Crystal's relationship with Mantle to the re-creation of Yankee Stadium as it was in 1961.
Add to that Maris and Mantle bios, fielding and hitting stats (Pepper, Jane, and Crystal's bios also appear, though not their playing stats), historical information on the home run race, a list of the 1961 home runs, and the original trailer; this is a very well-rounded DVD. Not to mention simply the kind of film you'll want to watch again and again.
— SARAH CHAUNCEY